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Pet Sematary, by Stephen King
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Don’t miss the classic tale from King of Horror and #1 New York Times bestselling author Stephen King, described by Publishers Weekly as “the most frightening novel Stephen King has ever written.”
When the Creeds move into a beautiful old house in rural Maine, it all seems too good to be true: physician father, beautiful wife, charming little daughter, adorable infant son—and now an idyllic home. As a family, they’ve got it all...right down to the friendly car.
But the nearby woods hide a blood-chilling truth—more terrifying than death itself—and hideously more powerful.
The Creeds are going to learn that sometimes dead is better.
- Sales Rank: #7940 in Books
- Model: 940477
- Published on: 2001-02-01
- Released on: 2001-02-01
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x 1.30" w x 4.19" l, .60 pounds
- Binding: Mass Market Paperback
- 576 pages
Amazon.com Review
Renowned for its superior productions, BBC radio may have outdone itself by adapting Stephen King's Pet Sematary to audio. A clamorous cacophony of talking, whining, whistling, and howling, Pet Sematary is a quick, entertaining earful for those who don't have other auditory distractions to contend with, such as a car full of talking whining, whistling, howling children. However, the melodramatic prose marries well with the acting; such is the case when one reader--whose voice bears an uncanny resemblance to Kramer's from Seinfeld--tells another about the effects of the Pet Sematary: "Heroin makes junkies feel good when they put it in their arms, but all the time it's poisoning their mind and body--this place can be like that and don't you ever forget it!" (Running time: three hours, two cassettes)
From Library Journal
In this BBC dramatization of King's (Wizard and Glass, Audio Reviews, LJ 2/15/98) 1983 best seller, Dr. Louis Creed moves his ideal family from congested, urban Chicago to the rural simplicity of Ludlow, ME. His property sits near a long-established pet burial ground and a mysterious Indian burial ground from which the dead can be raised. The program effectively draws us into the characters' world: marriage and family, then shock, grief and madness as we explore the nature and mystery of death. Presenting a multivoiced dramatization rather than a reading of the novel, the actors work together, with added music and sound effects, to create King's macabre world. Recommended.?Kristen L. Smith, Loras Coll. Lib., Dubuque, IA
Copyright 1998 Reed Business Information, Inc.
Review
Publishers Weekly The most frightening novel Stephen King has ever written.
Washington Post Book World Wild, powerful, disturbing.
Detroit News A stunner....King gets you to believe the unbelievable.
Pittsburgh Press Unrelenting, convincing...awesome power...his best yet!
Most helpful customer reviews
36 of 36 people found the following review helpful.
The Cat Came Back: King's Pet Sematary
By Jerome E. Murphy
This novel follows doctor Louis Creed, his wife Rachel, and their two children, who move into an old house in Maine near a haunted patch of ground that feeds on human grief and insanity, which it elicits by resurrecting any dead thing interred in its stony grip. The spirit or spirits of the place have a magnetic draw on the human mind that has led to a long, secret local tradition of this very act--mostly involving children's pets, but once in a while, something human. First the family cat gets run over, and then the family's young son. You see where this is going. When summarized, it's far-out, even laughable stuff.
Yet Stephen King was afraid to re-read the finished book, his wife afraid to finish reading it the first time, and both of them afraid to see it published. They considered it too disturbing. I can even feel a faint anxiety as I write my review. That a mere book can have such effect is as disturbing as anything else about it--it seems threatening that mere printed matter should exert such power over our nerves. King later
called it "a dirty, nasty book."
He's absolutely right. Besides being utterly merciless towards its characters and its readers, the novel contains ideas so unwholesome, so unnatural, and such a fixation on uncanny evil, that some fundamental part of us rebels. This sets up a psychological paradox, for while our brain wants to reject what has been put before us, it also wants to accept it,due to the novel's beguiling realism (another King trademark). What this means is that a thoughtful reader will end up turning over the novel's proposals in his or her brain, and if left to obsess, could wind up very disturbed indeed. There's a reason this book scared even Stephen King.
You don't become the world's bestselling novelist by chance. King fills a niche--and it's not just about horror. There is, after all, no shortage of shlocky horror novels whose plots follow storylines similar to those of King's. So what sets his work apart?
For one thing, as with the work of Dickens, God is in the details. King disarms us with evocative details from everyday life long before he asks us to believe the unbelievable. He displays a unique talent in this area, and his skill is absolutely one-in-a-million. You read certain passages and think, "Yes--it is like that, and no one else has articulated it!"
This holds true for his meditations on family life, too. "He more than half suspected that one of the things which had kept their marriage together... was their respect of the mystery--the half-grasped but never spoken idea that maybe, when you got right down... there was no such thing as marriage, no such thing as union, and that each soul stood alone and ultimately defied rationality... And sometimes (rarely, thank God) you ran into a full-fledged pocket of alien strangeness, something like the clear-air turbulence that that can buffet an airliner for no reason at all... And then you trod lightly, if you valued your marriage and your peace of mind; you tried to remember that anger at such a discovery was the province of fools who really believed it was possible for one mind to know another." It's also clear that King writes from experience when Louis meditates on the inner life of his children and wonders tenderly, musingly, and "not for the first time, if childhood was more a period of forgetting than of learning."
His work is designed to convince. Even when Louis realizes that his son has come back from the dead, he finds out in broad daylight, while on the phone with his father-in-law. It's then that he sees the mud tracks on the kitchen floor. The way this is described is utterly convincing, and by the time King's done with us, we're in Louis's shoes and we're all too sure that if this could happen, it would happen exactly the way it does here.
Another of King's disarming tactics is the pre-emptive strike. We can't laugh the horror away: his characters have already tried to do it for us. We can't rationalize it away: we watch them attempt and fail. One of King's masterstrokes in Pet Sematary is the choice of a doctor for his protagonist--someone whose clinical sense of science and reason resists every assertion of the supernatural, the uncanny, the improbable. Louis Creed does our doubting and our disbelieving for us. The passage where Louis, finally having come round, matter-of-factly calculates the various possibilities that the return of his young son might entail, as though he were working out an algebraic formula, is a subtle example of King's brand of literary achievement.
Nor can we wish away the terror by re-situating ourselves in daylight and in modernized, technological settings. Some of the most harrowing passages of the novel take place in an airport. His characters are at home in pop culture. King also has a great feel for the way that simple phrases ("It's only the loons. The sound carries. It's funny.") or even simple words like resurrection or abomination can take on uncanny meanings under the right circumstances and repeat themselves obsessively in one's mind, with cumulative ominousness. Writers will especially appreciate this effect.
Throughout Pet Sematary, but especially in the book's last third, there are passages where the narrative becomes so specific, so coldly vivid in timing and detail, as to approach hallucination. The effect this has is unsettling, to say the least. For my money, the most harrowing passages aren't those involving the resurrections, but those that put us in Louis's shoes as he robs a graveyard and then carries his dead son
through the haunted woods at two in the morning. It was these passages that kept me awake much later, because they are the most realistic. "This place was thick with spirits; it was tenebrous with them," Louis finally has to admit to himself. "The reality of what he was doing--standing out here in the dark calling his dead son--suddenly hit him and set his scalp crawling." I paraphrase, but you get the idea. There is reality in this book: the reality of marriage; of work; of parenthood; of extended family relations; of neighborhoods; of death; and of evil. As after a particularly lucid dream, there is a part of us that believes what we have just experienced. It takes a little while to recover.
Pet Sematary builds to a tense moment and leaves you there: it wants to stay with you. It could have been a modern literary classic if King didn't give in to his temptation to show us too much, simply because his talent at rendering the unbelievable believably entices him to do so. It should have retained the spare, taut, harrowing quality of the night-in-the-woods sequences, but it loses a little steam when we confront the monster.
Stephen King has been embraced as a sort of cultural campfire yarn-spinner in the popular imagination. He's given us Shawshank Redemption, Stand By Me and the Green Mile, not to mention the campily enjoyable miniseries The Stand and the scare-with-a-wink Creepshow series. What's easy to forget about is the dark bite his actual novels have, and not one of them has more bite than Pet Sematary.
1 of 1 people found the following review helpful.
The first King book I read, and one of my favourites.
By Berit Danielsen
One of my favourite King books. It is a bok about love and grief. The scene at the funeral parlour left me with tears streaming down my face.
0 of 0 people found the following review helpful.
the scariest book by King so far
By Marcelo Almeida
This book frightened me the most. At one point I thought I wasn't going to finish it. That's how scary it was. I spoiled it by watching the movie first. If you have the opportunity of reading the book first DO NOT MISS IT.
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